Behringer BC1200 Review: Seven Piece Drum Mic Set

Who Should Buy It

Key Specifications

Overview

The Behringer BC1200 is positioned as a complete solution for miking a drum kit, bundling seven microphones together rather than asking a buyer to piece together individual units for each drum and cymbal. The listing breaks the set down plainly, one kick microphone, four tom and snare microphones, and two cymbal microphones.

That breakdown covers the standard positions most home and project studios need to capture a full kit, kick drum, the four most common tom and snare placements, and a pair of overheads for the cymbals. Buying all seven as one bundle is clearly the main selling point here rather than any single microphone's individual specification.

Beyond the piece count, the listing offers very little additional detail. A fourth bullet simply says accessories, without naming clips, cables or a case, so this review relies mainly on what a seven piece drum set implies about intended use rather than confirmed technical claims.

Sound Quality

No frequency response, sensitivity or output figures are published for any of the seven microphones, which makes it impossible to confirm the tonal character of the kick, tom, snare or cymbal pickups from the listing alone. Buyers report that budget drum mic sets in this category typically favor usable, serviceable tone over the detail of individually specified high end microphones.

Drum miking in general benefits from microphones tailored to each position, a kick microphone built to handle very high sound pressure at low frequencies, tom and snare microphones built for quick transient response, and overhead microphones built for a wider capture area across the cymbals. Whether the BC1200 achieves that tailoring for each piece is not confirmed by the listing.

On paper, a bundled set like this one trades individually optimized sound quality for convenience and completeness. A drummer who has used individually specified microphones from established drum mic lines should expect this set to be a usable, budget alternative rather than a direct sonic match for pricier dedicated kick or overhead microphones.

Pickup Pattern and Noise Handling

No polar pattern is stated for any of the seven microphones in the BC1200 set, and the pattern likely varies between the kick, tom/snare and cymbal pieces given how differently those positions are typically miked on a kit.

Kick microphones in general are commonly built with a pattern and frequency tailoring suited to close placement inside or near the kick drum shell, while tom and snare microphones are typically clipped close to the drum head to isolate that specific drum from its neighbors on the kit.

Cymbal overhead microphones usually aim for a wider capture area across the top of the kit, picking up cymbals and some overall kit blend, which generally calls for a different pattern approach than the tight, isolated pickup wanted on an individual tom or snare. None of this is confirmed for the BC1200 specifically, since the listing does not break out pattern details by piece.

Build Quality

The listing does not describe the chassis material, clip design or overall build quality of any of the seven microphones in the BC1200 set, which leaves this category almost entirely unaddressed by the available data.

Drum microphones in general need to tolerate significant vibration and occasional impact, since clip mounted tom and snare microphones sit close to a surface being struck repeatedly during a performance. Whether the BC1200 pieces are built to withstand that stress over time is not stated.

Behringer has a long track record producing budget audio gear at scale, which gives some reassurance around basic build consistency, though that is a brand level inference rather than a confirmed claim specific to this seven piece set, and it should not be treated as a substitute for an actual published specification.

• Chassis material and clip design not published for any of the seven microphones
• Drum miking requires tolerance for vibration and occasional impact over time
• Behringer has broad experience manufacturing budget audio equipment at scale
• No individual build specifications are broken out by kick, tom, snare or overhead piece

Connectivity and Setup

No connector type is stated for any of the seven microphones, so a buyer cannot confirm from the listing whether each piece uses a standard XLR output or a different connection method, which matters for planning cable runs to a mixer or interface with enough inputs for the full set.

Setting up seven microphones for a full kit also requires enough mixer or interface channels, phantom power where needed, and a plan for routing each position without crossing cables on a crowded stage or in a small studio room, none of which the listing addresses directly. Labeling each cable at the mixer end before a session is a practical step worth taking given how many inputs are involved.

The vague accessories line item in the listing leaves open whether mounting clips for the tom and snare microphones are included, which is a meaningful setup detail since clip mounted drum microphones typically need a dedicated clip to attach to the rim of each drum.

Features, Controls and Extras

The core feature of the BC1200 is completeness rather than any individual control or switch, since the listing's main selling point is covering kick, four tom or snare positions and two cymbal overheads in one purchase rather than piecing a kit together from separate product lines.

No onboard switches, pads or filters are mentioned for any of the seven pieces, and given the budget positioning of a bundled set like this, it is reasonable to assume each microphone ships without extensive onboard controls beyond basic operation.

The accessories bullet is the one feature promise left unexplained, and buyers who want to know exactly what is bundled, clips, a carrying case, or cabling, should confirm those details directly with Behringer or a retailer before ordering if that detail matters to the purchase decision.

Use Cases: Vocals, Streaming, Podcasting and Instruments

This set is built entirely around drum kit instrumentation rather than vocals, streaming or podcasting, and the seven piece breakdown, kick, tom/snare and cymbal overheads, makes that intended focus clear from the very first line of the listing.

Live drum sound reinforcement and home studio drum recording are the two clearest use cases, since both benefit from having dedicated microphones for each major kit component rather than relying on a single overhead or room microphone to capture everything at once, which tends to blur individual drum detail.

Vocal recording, podcasting, streaming and any single source desk based use case are not what this set is built for, and buyers looking for those applications should look at a dedicated vocal or condenser microphone rather than a drum specific bundle like the BC1200.

Who Should Buy It

Drummers setting up their first multi-microphone recording session, whether for a home studio or a small venue, are the clearest fit for the BC1200, especially if they want full kit coverage without researching and buying seven separate microphones.

Bands and project studios on a tight budget who need kick, tom, snare and cymbal coverage in one purchase, and who are comfortable with a limited specification sheet, will find the bundled approach here convenient and reasonably priced.

Buyers who already own or plan to buy a mixer or interface with enough channels for seven microphones, and who do not need documented frequency response for each piece individually, are well suited to this kind of bundled drum mic set.

Alternatives Worth Considering

Buyers who want individually specified drum microphones with documented frequency response for each position should look at purchasing a kick microphone, tom/snare microphones and overhead microphones separately from established drum mic product lines rather than a single bundled set.

For studios that want fewer microphones but more documented detail, a smaller setup using one kick microphone, a couple of close tom and snare microphones and a stereo overhead pair from a well specified line may offer more predictable results than a seven piece budget bundle.

Buyers who ultimately need a vocal or instrument microphone rather than drum coverage should look outside this category entirely toward a dedicated handheld or studio condenser microphone suited to that specific purpose.

Verdict

The Behringer BC1200 is a convenience purchase first and a specification sheet second, bundling seven microphones for a full kit without publishing detailed numbers for any individual piece, which asks buyers to trust the bundle over documented performance claims.

For a drummer or home studio owner who wants complete kick, tom, snare and cymbal coverage in one purchase and is comfortable with a thin specification sheet, the BC1200 is a sensible, budget friendly starting point, though anyone wanting documented individual microphone performance should look elsewhere.

Strengths and Limitations

Alternatives to Consider

Beyerdynamic M 160

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Read the Beyerdynamic M 160 review →

Shure BLX288/SM58 Dual Vocal

Bands, worship teams and event companies that need two dependable wireless SM58 vocal channels in one simple package.

Read the Shure BLX288/SM58 Dual Vocal review →

Sennheiser XSW 1-835

Worship teams, schools and gigging duos who want two wireless e835 vocal channels with the simplest possible setup.

Read the Sennheiser XSW 1-835 review →

Questions Buyers Ask